{"id":211,"date":"2012-01-01T10:34:58","date_gmt":"2012-01-01T10:34:58","guid":{"rendered":"http:\/\/promusicmagazine.com\/?p=211"},"modified":"2012-01-01T10:34:58","modified_gmt":"2012-01-01T10:34:58","slug":"are-you-really-a-record-producer","status":"publish","type":"post","link":"https:\/\/promusicmagazine.com\/are-you-really-a-record-producer\/","title":{"rendered":"Are you really a record producer?"},"content":{"rendered":"

Are you really a record producer?<\/b><\/h1>\n
Hear songwriter and record producer Rico Love (Beyonce, Usher, Nelly) give us an earful on what it means to be a real record producer. Just producing an instrumental backing track is not enough. You have to guide the whole process from start to the very finish, and provide creative input for you to be considered a bona fide record producer.So check it out. Are you really a record producer?<\/span><\/div>\n","protected":false},"excerpt":{"rendered":"

Are you really a record producer? Hear songwriter and record producer Rico Love (Beyonce, Usher, Nelly) give us an earful on what it means to be a real record producer. Just producing an instrumental backing track is not enough. You have to guide the whole process from start to the very finish, and provide creative…<\/p>\n","protected":false},"author":9,"featured_media":316,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"limit_modified_date":"","last_modified_date":"","footnotes":""},"categories":[215,67,225],"tags":[231],"class_list":["post-211","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-confessions","category-people","category-record-producer","tag-recordproducer"],"_links":{"self":[{"href":"https:\/\/promusicmagazine.com\/wp-json\/wp\/v2\/posts\/211","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/promusicmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/promusicmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/promusicmagazine.com\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/promusicmagazine.com\/wp-json\/wp\/v2\/comments?post=211"}],"version-history":[{"count":0,"href":"https:\/\/promusicmagazine.com\/wp-json\/wp\/v2\/posts\/211\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/promusicmagazine.com\/wp-json\/wp\/v2\/media\/316"}],"wp:attachment":[{"href":"https:\/\/promusicmagazine.com\/wp-json\/wp\/v2\/media?parent=211"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/promusicmagazine.com\/wp-json\/wp\/v2\/categories?post=211"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/promusicmagazine.com\/wp-json\/wp\/v2\/tags?post=211"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}